Tag Archives: expressive painting

Keeping the Paint Moving

It’s been a very long time since I wrote here, but through thick and thin I have been painting. As one of my favourite artists, David Bomberg, instructed his students to do I’ve made sure to ‘keep the paint moving’ and my work has been developing.

Several large pieces are on the go, which seem to be finished but I’m occasionally returning to them when I notice something that asks to be changed.

There are also a number of small studies I’ve been doing to ‘move the paint’, keep the flow and not let things stagnate. Most are views of the garden, which has some trees with great character. One tall spruce in particular has such personality that it looks like something from a Nordic Symbolist picture. When it moves in the wind it appears to dance with arms and needly hands upraised and a swaying ‘waist’. I’m not sure I’ve captured it yet but it’s fun trying.

Doing this series was a form of art therapy during a psychologically turbulent time, or perhaps you could even say it was a kind of therapy by tree. The garden paintings began by being more natural and gradually transformed into more expressive and weird representations. Finally, something had been resolved and the work became more rushed and less interesting and I stopped the series at that point.

And finally to end on a calmer (?) note, I have included a couple of paintings of flowers from the same garden. These were sweet peas in reality but seem to have transformed themselves into more substantial blooms when made of paint.

Through the looking glass

view through the window

through the looking glass: looking out or looking in?

When painting a view you might think that you are recreating a scene outside yourself but I think it can also be true that you are looking within and revealing what is there. The inner landscape and the outer merge; there are the basic forms of the ‘real’ scene but a state of mind is present too. Feelings and thoughts permeate the painted landscape, ruffling the grass with agitated energy or smoothing it peacefully. Colours respond to emotions, becoming heated or cooled, excited or serene. How on earth it all works is a mystery, but that’s what makes painting so interesting.

The night before the crisis colours vibrated in the air, the vegetation, rocks and soil. The tree raised its branches towards the sky and sang, a piercing dischordant note.

oil painting, 9x12 inches on canvas, colourful swirling energy, tree in the landscape

the tree in a tumult of colour, with energy swirling around

After the event stretched nerves slackened, sinews untwanged and the landscape breathed slowly again, muting its colours.

oil painting in a calm style, 9x12 canvas, tree on the hill

after the crisis, a calm painting with balanced shapes and cooler colours

The next day everything became warmer, brighter and more optimistic and the landscape glowed in the evening sunlight.

oil painting with warm colours, evening light on the hill, 9x12 inch canvas

warm colours in the evening; the sun’s last visit to the hill with glowing light from the west